Author: Margaret Evans

From Maui to Maine & Back to the Lowcountry

The SOBA Gallery is happy to introduce Joan Moreau McKeever as the Featured Artist in November with her show entitled “From Maui to Maine and Back to the Lowcountry.” As you might expect the body of work is a range of scenes inspired by Joan’s travels, painted with skill and attention to detail. You can almost smell the salt air viewing her coastal landscapes and the scent of Plumeria in a gorgeous floral scene. 

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On Matthew, Conroy, and Other Forces of Nature

By Margaret Evans, EditorFor this issue, I had planned to write about A Lowcountry Heart, the wondrous new collection of essays by the late Pat Conroy. (After almost six months, that phrase still looks outrageous to me in print. “The late Pat Conroy.” Every fiber of my being resists that sequence of words.)          This compilation of never-before-published letters, speeches, journal entries and blog musings is making its debut this weekend at the inaugural Pat Conroy Literary Festival here in Beaufort, and it seemed like a natural column topic.

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Trying to Reason with the Hurricane Season

(with apologies to Jimmy Buffett) Story by Mark Shaffer Photos by Mark Shaffer, Jeff Evans, and Eric Horan Shortly after the shots ring out, I figure it’s time to go. At the very least it’s a sign. The Tuesday after Matthew buzz sawed up the South Carolina coast there is a surreal quality to the storm’s aftermath. Less than two weeks past a spinal procedure on my lower neck I’m still using a brace (the human equivalent to the Cone of Shame) and feeling the aftereffects of the Percocet. Time has only recently become relevant again. Much of the past week and a half – including the storm – is one long, blurry smudge, like a child’s attempt at a watercolor rainbow.

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Love, Loss and What I Wore

Eight local woman take to the stage to tell tales of monumental moments in their lives–all marked by a particular dress, a pair of shoes, a bathing suit, a tattoo–in Lean Ensemble’s production of Nora and Delia Ephron’s comic yet poignant play Love, Loss and What I Wore.  

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Shut Up and Dance: Back to Chicago

“The troop visits got harder over time because, as I looked into each face, I increasingly would wonder to myself which of these kids I would next see in the hospital at Landstuhl or Walter Reed or Bethesda—or listed for burial at Arlington cemetery. For those on the front line who ate with me, I realized it might well be the occasion for the first hot meal or shower in days if not weeks. Each forward unit I visited seemed to have its own makeshift memorial in a small tent or lean-to dedicated to those who had been killed… I always went in alone.” – Robert Gates, “Duty” (2014, Vintage)

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A Rare Find for Lowcountry Music Lovers

For discriminating listeners in heavily populated spots around the world, chamber music offers refinement, economy of resources and flawless acoustical balance produced by a small number, usually between two and eight, of instruments in intimate conversation with one another. 

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Aunt Pearlie Sue at the U.N.

Beaufort’s beloved singer, story-teller, Anita Singleton-Prather, will perform at United Nations headquarters this month in New York City. Singleton-Prather was invited to appear as her popular persona, Aunt Pearlie Sue, as part of the U.N.’s historic launching of UN-SONG, a project to promote inclusion, recognition and contributions of people of African descent.

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